Review | 13 Going On 30 | Manchester Opera House | 30 September 2025

Photo Credit: Pamela Raith

Love them or loathe them, we are in a definite era of movie-to-musical adaptations. Manchester audiences have recently seen both sides of this trend: dazzling productions like Moulin Rouge! and the world premiere of A Knight’s Tale have gone down a storm, whilst others like Cruel Intentions have had a more lukewarm reception. I attended the gala night of 13 Going On 30 to find out how it would fare.

The story closely follows the 2004 rom-com, with awkward teen Jenna Rink wishing she could fast-forward to adulthood and be more like the people featured in Poise magazine. When she wakes up in the body of her 30-year-old self with her dream job at Poise, she quickly learns that it may not have been everything she had hoped for. Fans of the movie will find it a faithful adaptation, with a few tweaks to smooth over elements that no longer sit comfortably in 2025.

At its heart are Lucie Jones and David Hunter, whose chemistry as Jenna and Matt is undeniable. Jones is the perfect Jenna, with her comedic timing and charm matching Jennifer Garner’s in the film. She convincingly captures the awkwardness of a 13-year-old in an adult’s body, whilst delivering the most spine-tingling vocals. Hunter makes a warm and likeable Matt, with their moments together injecting heart into the show.

Musically, Alan Zachary’s score is a mixed bag. When it works, it really works. Energetic ensemble-driven numbers like ‘Wanna Be’ and the title number ‘13 Going On 30’ are infectious ear worms and a whole lot of fun. But too often the songs drift into the forgettable, weakened by predictable rhymes and lyrics that feel a touch lazy. Given how iconic the film’s soundtrack is, it’s a rare case of a show that could have benefited from the jukebox treatment to pack more of a punch.

The standout of the evening is Grace Mouat, ever the stage chameleon, who dazzles as frenemy Lucy. With sass, attitude, and undeniable stage presence, it is impossible to watch anyone else whenever she is on the stage. The adult cast are bolstered by an exceptional child ensemble who absolutely shine. Max Bispham as Young Matt in particular will no doubt be one to watch in years to come, building on his fantastic performance in the world premiere of The Parent Agency in Chester earlier this year.

Direction from Andy Fickman ensures fans of the film feel at home with this adaptation. Yet, while loyal to the source material, the show rarely offers anything new for the musical to stand more firmly on its own two feet. The staging relies heavily on screens and simple set pieces wheeled on and off by cast members. Compared to some of the more inventive and extravagant designs seen in other Manchester premieres, visually it felt a little underwhelming.

13 Going On 30 is a fun and nostalgic night out for fans of the film, with a talented cast who work incredibly hard to bring heart and humour to the stage. Perfectly enjoyable, but perhaps a little too safe to make a lasting impression. It remains at Manchester Opera until Sunday 12 October 2025, see below for booking details.

Click here for booking detais

Note: My ticket was gifted. Irrespective of whether a ticket is gifted or bought, I always ensure that my reviews are fair and based on my honest opinion alone.