Matthew Bourne’s productions always offer something special and unique, often a gateway for naysayers into the world of contemporary ballet. Captivating audiences globally since its 1995 debut, Swan Lake returns to The Lowry as part of an extensive UK tour. Set to Tchaikovsky’s iconic score, it is a classic tale of love, tragedy and identity. However, this version takes a slightly different approach, which pays off brilliantly.
Although not a criticism of the art form, but often with ballets it helps to know the synopsis before hand to get the most from it. This however is never the case with a Matthew Bourne production, and this production is no exception. The dancers are so wonderfully expressive in every movement that their emotions (and the narrative itself) never need to be questioned. Bryony Wood in particular captivated the audience entirely as the girlfriend, playing her hilariously as some sort of ‘it girl. The audience lapped up every moment of her on stage, bringing brilliant comic relief to the production.
Lez Brotherston’s set design had a delightful animated quality to it, almost like stepping into a Tim Burton film. Through clever use of perspective, from leaning columns to a cleverly designed tilted bed, the staging is exceptional. This is only elevated by Brotherston’s fun costume design, which compliments the set design perfectly. Gone are the tutu’s and in are furry swan trousers…
On that note, it should be pointed out how this production turns any gender expectations for Swan Lake completely on their head. Rather than a traditional flock of female swans, the ensemble is all-male. Our expectations are boldly subverted, from the swans traditionally having a delicate elegance, to them being powerfully primal in their presence. This in itself adds a completely new dynamic, cleverly tackling various layers of masculinity. The chemistry between Stephen Murray as the Prince and Jackson Fisch as The Swan/The Stranger is nothing short of electric. The powerful final moments in which we see them is guaranteed to leave you feeling emotional, the sign of good theatre. Beyond the leading cast, the entire company are faultless throughout.
Perhaps Matthew Bourne’s most remarkable work to date, Swan Lake transcends any notion of elitism. Blending inclusivity with such a visually striking production, this phenomenal show proves that ballet truly is for everyone.
Matthew Bourne's Swan Lake remains at The Lowry until Saturday 30 November 2024.
Note: My ticket was gifted. Irrespective of whether a show is gifted or bought, I always ensure that my reviews are fair and based on my honest opinion alone. Additionally, image and trailer show a previous cast.