Review | Midsomer Murders: The Killings at Badger’s Drift | Manchester Opera House | 27 May 2026
- 3 hours ago
- 2 min read
There are few television dramas more quintessentially British than the long running institution that is Midsomer Murders. Set in the picturesque village of Badgers Drift, bursting at the seams with eccentric residents, the original novel that inspired the beloved franchise has been adapted for the stage in Midsomer Murders: The Killings at Badger’s Drift.
The story begins with the sudden death of elderly resident Emily Simpson, a passing initially dismissed as not being suspicious due to her age. However, close friend Lucy Bellringer refuses to believe something more sinister wasn’t at play, prompting Inspector Tom Barnaby and Sergeant Troy to investigate. Before long, the idyllic village of Badger’s Drift reveals itself to be full of secrets, where pretty much everyone becomes a suspect.
What is most surprising is just how funny this production is. Far campier and more knowingly comedic than expected, the play initially takes a little time to settle into its tone. Early scenes can initially feel jarring, as though the production is unsure whether it wants to be a detective drama or a parody of one. Yet as the evening progresses, its unexpected style gradually becomes the show’s greatest strength. The script leans even into the absurdity of Midsomer’s famously outrageous murder rate, poking fun at the franchise itself while embracing everything audiences love about it.
It retains a rhythm much like a television show, with scenes moving quickly whilst constantly changing location. However, whilst this works well on screen does it doesn’t translate as seamlessly to the stage, with the pacing often feeling rushed. Similarly, the script occasionally has a habit of over explaining itself. Rather than letting the suspense to build, the production can feel a little too eager to guide audiences too closely. However this allows the comedy to land, with the audiences not having to do too much work themselves.
The performances ensure the production remains engaging throughout. Adding a layer of nostalgia and familiarity, Daniel Casey plays Inspector Tom Barnaby, known for playing the role of Sergeant Gavin Troy on stage. Alongside James Bradwell as Sergeant Gavin Troy, Casey brings a warmth and wit in bucket loads. An ensemble cast impressively switch between roles constantly as the residents of Badgers Drift, making it hard to believe the cast isn’t double the size. In an inspired later scene, the show even pokes fun at this multi-rolling, which was genuinely hilarious.
Midsomer Murders: The Killings at Badger’s Drift knows exactly what it is and isn’t afraid to have fun with it. Packed with nostalgic nods to the show, it will please devoted fans of the show without alienating those less familiar with the franchise. It may not have the most suspense for a whodunit, but it remains consistently entertaining nonetheless. Much like its television counterpart, this is cosy crime designed simply to entertain, and it achieves just that and plays at Manchester Opera House until Saturday 30 May 2026.
Note: My ticket was gifted in exchange for a review. This review is based on my honest opinion alone and is without influence.
