Review | Miss Saigon | Manchester Palace Theatre | 13 November 2025

One of the most enduring retellings of Madame Butterfly, Miss Saigon remains one of the world’s most beloved musicals. With decade-long runs on both the West End and Broadway, its legacy is undeniable, although not without controversy. This latest revival helps reframe some of the show’s more contentious elements, while keeping the essence of the original production which has captivated audiences since its debut in 1989.

When a production is marketed as reinvented, reborn or reimagined, it can often be code for cheapened or scaled back. Whilst some aesthetics have been altered, this latest production remains a breath-taking spectacle that exudes quality. With a multi-levelled set framing a revolving stage with moving staircases, this feels much closer to a West End show than a touring production.

Like many other classic musicals it is entirely sung through, with little room for any spoken dialogue. Boublil and Schönberg’s timeless score allow the show to fly by in an instant. Brought to life by an incredible thirteen-piece orchestra, the iconic music is as powerful and beautiful as ever. Even without the impressive visuals, the music alone is enough to bring you to tears when it’s performed this well.

Reprising their role from the 2023 international tour, Seann Miley Moore is electric as The Engineer. Tonally worlds apart from previous interpretations, Moore’s Engineer is more Engin-queer than Engineer! Leaning into the camp, he is playful with the audience whilst breaking the fourth wall, yet you can never deny the menace simmering beneath. This balance is showcased strongest in their darkly comic and unforgettable performance of ‘American Dream.’

Julianne Pundan is sensational as Kim, an orphaned Vietnamese teen who finds herself working for The Engineer. From shy and innocent at the beginning of the story to fiercely determined as it progresses, Pundan ensures Kim’s growth is fully believable and compelling throughout. With the most incredibly rich and powerful vocals alongside her heart wrenching performance, Pundan steals the show completely in her professional debut.

Miss Saigon is as poignant and emotionally charged as ever, reminding us why it has stood the test of time. With exceptional performances alongside stunning stage design and the classic score, this the gold standard for musical revivals and is unquestionably the touring production of the year.

Playing at Manchester Palace Theatre until Saturday 15 November 2025, there are limited tickets remaining. However, due to phenomenal demand it will be returning for a week long run next August, with tickets going on sale at 12:00 on 14 November 2025.

Click here for booking details

Note: My ticket was gifted in exchange for a review. This review is based on my honest opinion alone and is without influence.