Review | Acosta Danza Carmen | Manchester Opera House | 22 April 2026
- 8 hours ago
- 2 min read
Carlos Acosta’s reimagining of Carmen transforms Bizet’s opera into a full on Latin infused ballet. It tells the story of gypsy Carmen, who seduces soldier Don José, only for her eyes to be drawn elsewhere to Escamillo. From here passion, jealousy and rage take over in this fresh dance interpretation of the classic opera.
From the opening moments, this production establishes itself as unapologetically sexy and bold. The choreography leans heavily into its Latin roots, blending classical ballet with more contemporary influences to create something that feels much more accessible and alive than your standard ballets.
Musically, all the iconic melodies remain, but they are given a new lease of life through Rodion Shchedrin’s arrangements. The reworked score feels contemporary while still honouring Bizet’s original. However, the decision to use a recorded score rather than a live orchestra does detract slightly. While understandable for a touring production, there are moments where it really does feel like a track being played.
Tim Hatley’s set design, paired with Peter Mumford’s atmospheric lighting, creates a feeling that is both moody and sensual. A red palette runs throughout, suggestive of passion, danger and the inevitability of death. The industrial prison setting is particularly effective, grounding the drama in a gritty, tangible reality.
Much of the show’s success however lies in the incredible central performance from Amisaday Naara as Carmen. She commands the stage with an assured confidence, embodying the character’s allure perfectly. Her chemistry with Alejandro Silva as Don José is undeniable, with their duets charged with passion and tension. Together, they tell the story with clarity and believability.
Where the storytelling falters is within the larger ensemble numbers. The corps de ballet are undeniably impressive, and provide some of the most exciting and energetic moments. However, the narrative sometimes gets lost in the spectacle for those less familiar with the plot.
This is a Carmen that feels both daring and accessible. Like with Matthew Bourne’s ballets, Carlos Acosta has created something that appeals to both ballet enthusiasts and those new to the artform. Although not perfect, it remains exciting throughout and is an excellent example of how to take a classic story and make it feel completely new, fresh and exciting.
Note: My ticket was gifted in exchange for a review. This review is based on my honest opinion alone and is without influence.
