Review | The Boy at the Back of the Class | Lowry | 15 April 2026
- 4 hours ago
- 2 min read
Fresh from scooping the award for Best Family Show at last weekend’s Olivier Awards, The Boy at the Back of the Class returns to Lowry. Based on Onjali Q. Raúf’s beloved childrens book, it doesn’t attempt to sugarcoat its sensitive subject matter. Instead, it seizes the opportunity to deliver its powerful and inspiring message in the most wonderful way.
Ahmet (Serkan Avlik), a young refugee, finds himself in a British school having fled war torn Syria. His new classmates in year five are unsure what a refugee even is, tentatively questioning whether it might be a “bad word” that could get them into trouble. Alexa (Sasha Desouza-Willock) takes it upon herself to welcome Ahmet, her determination quickly snowballs into a bold plan to reunite him with his family before the UK closes its borders.
What makes this production so effective is its ability to speak to all ages without diluting its message. It tackles themes of learnt prejudice, loss and social responsibility head-on, whilst remaining thoroughly engaging throughout. With no sign of rustling of sweets, the entire audience were transfixed, testament to Raúf’s incredible story and how it is played out on stage. The use of direct address works well, playfully highlighting to younger audience members the moments that might make adults uncomfortable, whilst encouraging them to think more openly.
The decision to cast adult actors as children proves to be a strength rather than a distraction. It allows for a heightened, more knowing performance that captures the essence of childhood. Avlik is quietly affecting as Ahmet, as we see his confidence grow with the support of his classmates. Particular mention should go to the inspiring mother/daughter dynamic Desouza-Willock creates on stage alongside Natasha Lewis. It feels authentic and helps the audience see the power of a strong role model and how it is always better to practice kindness. Meanwhile, Evie Weddell delivers perfect comic relief as the gloriously self-assured Clarissa, helping inject the show with a good balance of humour.
Visually, the set is deceptively simple but in no way is it simplistic. A backdrop of school climbing apparatus firmly roots us in the school, yet through clever lighting and subtle reconfiguration, it transports us to a variety of locations. With a little imagination from the audience, it becomes everything from a London bus to Buckingham Palace. Often family theatre can feel churned out and lacking in genuine creativity, but The Boy at the Back of the Class truly captures the magic of live theatre for all ages. It tackles complex issues with compassion, without ever filtering them down or patronising the audience. Bursting with inspiration and heart, it plays at Lowry until Saturday 18 April 2026.
Note: My ticket was gifted in exchange for a review. This review is based on my honest opinion alone and is without influence.
